Paper Monet
Works on Paper
Public Projects
Eye Charts
Sean Mellyn


Born Providence Rhode Island, lives and works in New York.


  • BFA, Pratt Institute, Brooklyn, New York


  • 2019
  • Old MacDonald Had A Farm, Suzanne Egeran Projects, Los Angeles, CA
  • 2014
  • OPTIC NERVE: The Prints and Multiples of Sean Mellyn, curated by Michael Steinberg, Underline Gallery, New York, NY
  • Paper Monet, APF Lab, Art Production Fund, New York, NY
  • 2007
  • FRIDAY., Anna Kustera, New York, NY
  • 2005
  • States of Instability, Ingalls & Associates, Miami, FL
  • 2005
  • Kustera Tilton Gallery, New York, NY
  • 2004
  • Sleeper, Michael Steinberg Fine Art, New York, NY
  • 2003
  • Marella Arte Contemporanea, Milan, Italy
  • 2002
  • Roberts & Tilton, Los Angeles, CA
  • 2001
  • University Art Museum, University of New Mexico, Albuquerque, New Mexico
  • 2000
  • Jack Tilton/ Anna Kustera Gallery, New York, NY
  • 1999-2000
  • National Foundation for Advancement in the Arts Fellowship Exhibition, The Corcoran Gallery of Art, Washington, DC
  • 1999
  • Conversation Exhibition: Sean Mellyn & Joyce Pensato, A.R.T. Inc., New York, NY
  • 1998
  • Cold Storage, Anna Kustera Gallery, New York, NY
  • 1996
  • Anna Kustera Gallery, New York, NY (Brochure)
  • 1995
  • White Room, White Columns, New York, NY
  • 1994
  • Created, Mutated, Mary Carlson and Sean Mellyn, Dru Arstark, New York, NY
    Sean Mellyn and Bill White, Gallery Lok, New York, NY


  • 2019 
    Drawn Together Again, curated by Jon Rider, The Flag Art Foundation, New York, NY.
    Pulled In Brooklyn, curated by Roberta Waddell and Samantha Rippner, International Print Center, New York, NY.
    Boyz Keep Swinging, curated by Maynard Monrow, Keyes Gallery, Sag Harbor, NY.
    Flat Out ll (2000-2019), curated by Karline Moeller and Ysabel Pinyol, Mana Contemporary, Jersey City, NJ.
  • 2018 
    Please Touch: Body Boundaries, curated by Ysabel Pinyol and Dana Ben-Ari, Mana Contemporary, Jersey City, NJ
    The Salon at Sherle Wagner, co-curated by Maynard Monrow and Laura Dvorkin, New York, NY
    Selections at Fuego, organized by Heather Moore, New York, NY
  • 2017 
    The Bunker Art Space; The Beth Rudin DeWoody Collection Art About Art, curated by Maynard Monrow, Laura Dvorkin and Phillip Estlund, West Palm Beach, FL
    Really?, curated by Beth Rudin DeWoody, Wilding Cran Gallery, Los Angeles, CA.
  • 2016
    Mana Portraits, curated by Isabel Pinyol, Mana Miami, Miami FL.
  • 2015
    Identities, Pierogi Gallery, Brooklyn, NY.
    Viewer Discretion…the Children of Bataille,
    curated by Kathleen Cullen, Stux + Haller Gallery, New York, NY.
    International Sculpture Show
    , curated by Isabel Pinyol, Mana Contemporary, Jersey City, NJ.
    The Triumph of Love, Beth Rudin DeWoody Collects.,
    Organized by The Norton Museum of Art, Norton Museum of Art, West Palm Beach, FL.
  • 2014
    Living and Sustaining a Creative Life, Exhibit by Aberson Gallery, Tulsa, OK.
    Pierogi XX: Twentieth Anniversary Exhibition, Pierogi, Brooklyn, NY.
    Like You'd Understand Anyway, curated by Claude Smith, Tamarind Institute Gallery, Albuquerque, NM.
  • 2013
    Tamarind Touchstones: Fabulous at Fifty, curated by John Mulvany. Catalogue, University of New Mexico Press. Traveling:
    Julie Collins Smith Museum of Fine Art, Auburn University, Alabama, 2013.
    Clay Center for the Arts, Charleston, W. Virginia, 2013.
    Richard M. Ross Art Museum, Ohio Wesleyan University, Delaware, 2012.
    Newcomb Art Gallery, Tulane University, New Orleans, Louisiana, 2012.
    Portland Museum of Art, Portland, Oregon, 2011.
    University of New Mexico Art Museum, Albuquerque, New Mexico, 2010-2011.
  • 2012
    All about etching, Neptune Fine Art, Washington, DC
  • 2011- 2012
    Printed Histories, 15 years of Exit Art portfolios 1995-2011. Exit Art, NY
  • 2011
    Sincerely Yours: Personal Perspectives From Tamarind Institute, The Highpoint Center for Printmaking Gallery, Albuquerque, NM
    Painting and Sculpture,
    benefit for the Foundation for contemporary Arts, Lehmann Maupin Gallery, New York, NY
  • Focus: The Figure, Art from the Logan Collection, Denver Art Museum, Denver, CO. (Catalogue)
  • 2010
    Precarity and the Butter Tower,
    curated by Jacqueline Gendel and Tom McGrath, CTRL Gallery Houston, TX
    Make Yourself At Home, curated by Sabrina Blaichman, Caroline Copley and Genevieve Hudson-Price, 7Eleven Gallery, NY, NY
    NeoIntegrity: Comics Edition, curated by Keith Mayerson, Museum of Comic and Cartoon Art, NY, NY
    Aktualität eines Mediums
    . Nader Ahriman bis Chen Zhen, Galerie Krinzinger, Vienna, Austria
    Redi-Mix, Kathleen Cullen Fine Arts, NY, NY
    Nobody Gets to See the Wizard. Not Nobody. Not Nohow., curated by Doug McClemont, Anna Kustera Gallery, NY, NY
  • 2007
    Keeping It Real, Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, MI
    NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, NY, NY
  • 2006
    , curated by Charlie Scheips, The Gallery at Buck House, NY, NY
    On-Line: Contemporary Drawing, University Art Gallery, Sonoma State University, Sonoma, CA
    Subject: Contemporary Portraiture, The Cartin Collection, Lyman Allyn Art Museum, New London, CT The Studio Visit, Exit Art, NY, NY
  • 2005
    Multiple Partners, curated by Carla Gannis, Pablo‟s Birthday, NY, NY
    Langage Plastique, Art Mur, Montreal, Quebec
    In Limbo, Victoria H. Myhren Gallery, University of Denver School of Art and Art History, Denver, CO
  • 2004
    The Print Show, Exit Art, NY, NY
    Bottle: Contemporary Art and Vernacular Tradition, The Aldrich Contemporary Art Museum, Ridgefield, CT (catalogue)
  • 2003
    Fast Forward: Twenty Years of White Rooms, White Columns, NY, NY (catalogue)
    Today's Man, John Connelly Presents, NY, NY (traveled to: Hiromi Yoshii Gallery, Tokyo, Japan)
    Rendered, Sara Meltzer Gallery, NY, NY
    Tirol Transfer, Krinzinger Projekte, Vienna, Austria traveled to: The Museum of Modern Art, Bromberg, Poland (catalogue)
  • 2003
    TV Influenza, Art Mur, Montreal, Canada
  • 2002
    Family, The Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)
    I'm Amazed, curated by Patrick Callery, Liebman Magnan Gallery, NY, NY
  • 2002
    Acquiring Taste, Real Art Ways, Hartford, CT (catalog)
    Super Natural Playground, Marella Arte Contemporanea, Milan, Italy
  • 2001
    Boomerang: Collector's Choice, Exit Art/The First World, New York, NY
    Snakes, Snails & Puppy-Dog Tails, curated by Bill Previdi, Nikolai Fine Art, NY, NY
    Locating Drawing, organized by Maureen Mahony and Doug Lawing, Lawing Gallery, Houston, TX
  • 2000
    Drawings & Photographs, An Exibition to Benefit the Foundation for Contemporary Performance Art, Inc. Matthew Marks Gallery , New York, NY
    Haulin' Ass: Pierogi in LA, Post Gallery, Los Angeles, CA
    Collector's Choice, Exit Art/The First World, New York, NY
    1000 +1 Nacht - Fragmentierte Erzahlstucke in der gegenwartigen Kunst, curated by Peter Kraml, Landesgalerie Oberosterreich, Linz, Austria (catalogue)
    Collection Collections: Recent Acquisitions from Collectors of Contemporary Art, University Art Museum, University of California, Santa Barbara, CA
    The Standard Model: (Game Face), Geoffrey Young Gallery, Great Barrington, MA
  • 2000
    Pierogi Flat Files, Yerba Buena Center for the Arts, San Francisco, CA
    The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY (catalogue)
    Post Pop, Susquehanna Art Museum, Harrisburg, PA
    The End: An Independent Vision of Contemporary Culture, 1982-2000, Exit Art/ The First World, NT, NY
  • 1999
    Shout Outs, Rice University Art Gallery, Houston, TX (catalogue)
    Brooklyn, New Work, curated by Joe Amrhein & David Brown, The Contemporary Arts Center, Cincinnati, OH
    American Abstraction/ American Realism: The Great Debate, Susquehanna Art Museum, Harrisburg,PA
    Free and Open to the Public, Art Center/ South Florida, Miami Beach, FL
    Caveat Emptor, Ambrosino Gallery, Miami, FL
  • Distortion, Anna Kustera Gallery, NY,NY
    In Your Face, curated by Robert Shimshak, New Langton Arts, San Francisco, CA
    Art on Paper, curated by Amy Cappellazzo, Weatherspoon Art Gallery, University of North Carolina at Greensboro, NC (catalogue)
    Southern Exposure, curated by Sean Gelb, Ambrosino Gallery, Miami, FL
    Drawing to an End, Anna Kustera Gallery, NY, NY
    From Here to Eternity: Painting in 1998, curated by Ruth Kaufmann, Max Protetch Gallery, NY, NY
    Pop Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue)
    A Delicate Condition, curated by Jerry Kearns, Kent Gallery, New York, NY
    Pets, Bronwyn Keenan Gallery, New York, NY
    Utz: A Collected Exhibition, curated with Stephanie Theodore, Lennon Weinberg Gallery, NY, NY
    Tweakville, Catharine Clark Gallery, San Francisco, CA
    Pierogi 2000: Selections from the Flat File, Gas Works, London, England, September; Cornerhouse Gallery, Manchester, England, October/November; Weatherspoon Art Gallery,Greensboro,NC, November 1997- January 1998
  • Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, NY (brochure)
    Know New York: Introducing Artists from Manhattan, Elizabeth Leach Gallery, Portland, OR
    ...Just what do you think you're doing, Dave?, curated by Bruce Pearson, Williamsburg Art & Historical Center, Brooklyn, NY
    La Tradicion: Performing Painting, Exit Art/ The First World, New York, NY
    Kickstart, Anna Kustera Gallery, New York, NY
    Annual Summer Watercolor Exhibition, P.P.O.W., New York, NY
    Selections From the Pierogi Flat File, Rupert Goldsworthy, Berlin, Germany
    The Most Important Thing in the World, Oasis Vs. Blur and Artists Who Rock, curated by Bill Arning, Art Exchange Show, 60 Broad Street, NY, NY
    Next of Kin, Bronwyn Keenan Gallery, New York, NY Update '95, White Columns, New York, NY (Catalogue)
  • Other Rooms, Ronald Feldman Gallery, (Pierogi 2000), NY, NY
    Partly Sunny Tomorrow, Geoffrey Young Gallery, Great Barrington, MA
  • Like Young: 12 New York Painters, curated by Ingrid Schaffner, Three River Arts Festival, Carnegie Museum, Pittsburgh, PA
    Obsession, organized by Anna Kustera, Chassie Post Gallery, NY, NY; Traveled to Chassie Post Gallery, Atlanta, GA
    Chasing Angels, Cristinerose Gallery, New York, NY (Catalogue)
    Me, Dru Arstark, New York, NY
  • 1994
  • Josh Baer Gallery, New York, NY
  • Einladung, Kunstverein in Hamburg, Germany
  • Sworn Statements, Geoffrey Young Gallery, Great Barrington, MA
    The Return of Cadavre Exquis, curated by Ingrid Schaffner, The Drawing Center, NY, NY (catalogue) Traveling to: The Corcoran Gallery of Art, Washington, DC; Santa Monica Museum of Art; Forum for Contemporary Art, St. Louis; American Center, Paris
  • Whateva, Dru Arstark, New York, NY
  • All Media Summer Exhibition, curated by Elizabeth Sussman, Contemporary Artists Center Gallery, North Adams, MA (Catalogue)
  • Josh Baer Gallery, NY, NY
  • Kunstvera 92, curated by Tone Aanderra, Galleri Sandven, Norheimsund, Norway (Catalogue)
    The Neurotic Art Show II, Artist's Space/Four Walls, NY, NY
    The Radio Show, Artist‟s Space/Four Walls, New York, NY
    Travelogue, curated by Amy Sillman, Four Walls, Brooklyn, NY
    WFMU Music and art Convergence, a Muranushi Lederman Production, Germans Van Eck Gallery,NY,NY
  • Unlearning, curated by Kenny Schachter, 142 Greene Street, NY, NY
    Horses, Benefit for Children in Crisis, Lorence Monk Gallery, NY, NY


  • 2013
  • The Morning Blend, Television interview and performance, KTNV, TVOctober 31, 9:15 a.m. Las Vegas, NV.
  • 2012
  • "Madava's World at Dover Plains", an 18 x 36 foot mural painted at Madava Farm, Dover Plains, NY
  • 2007
  • Digital print to benefit Smack Mellon, Brooklyn, NY, published by MS Editions, NY, printed by Pamplemouse Press/Pace Editions, NY
  • 2004
  • One of a kind artwork customized by the artist from the Calvin Klein Home Collection to benefit the New Museum of Contemporary Art, New Group Event, displayed at the Calvin Klein Store
    Speyes, digital print on cotton fabric, down pillow insert, edition of 12, published by MS Editions, NY, printed by Pamplemouse Press/Pace Editions, NY
  • CD Cover Art for the album "Glorified Magpies on a Mission to Mars" by the band "The Eyes"
    Sleeper, Portfolio of 5 b/w etchings, edition of 35, published by MS Editions, NY, printed by Jennifer
    Melby, Brooklyn, NY
  • 2001
  • Print Project, Tamarind Institute, Albuquerque, New Mexico
  • 1999-2000
  • I'm Not Here: Constructing Identity at the Turn of the Century, Curated by Sean Mellyn and Jonathan VanDyke, The Susquehanna Art Museum, Harrisburg, PA (catalogue)
    Digital Club Network, Festival Website Commission 1999 Limited edition T-shirts, created exclusively for the New Museum of Contemporary Art, New York, NY
  • 1999
  • Window Installation, New Museum of Contemporary Art, New York, NY
  • Freudian Slips, Saks Fifth Avenue Project Art, Saks Fifth Avenue Windows, New York, NY
  • 1998
  • Exit 8, Print Portfolio, Exit Art, NY, NY
  • 20" x 15", Portfolio of Prints by 5 artists, published by Maureen Mahony and Janis Stemmermann, NY
  • 1995
  • Scandal, Exhibition and panel discussion organized by Sean Mellyn, Four Walls, Brooklyn, NY


  • 2015
  • Artist-in-Residence, 2015 Mana Residencies, Mana Contemporary, Jersey City, NJ.
  • 2013
  • P3STUDIO Artist-in-Residence, The Cosmopolitan of Las Vegas in partnership with the Art Production Fund, Oct. 15-Nov. 12, Las Vegas, NV
  • 2008
  • The Artists at Giverny Residency Program, Art Production Fund, Giverny, France
  • 1998-99
  • National Foundation for Advancement in the Arts, Fellowship in the Visual Arts, Miami, FL
  • 1987
  • Charles Dana Foundation Fellowship
  • 1986
  • Charles Dana Foundation Fellowship
  • 1984-86
  • Pratt Institute Fine Art Grant
  • 1983
  • William Bingham Grant Pemaquid Art Association Scholarship Boothbay Harbour Arts Council Scholarship


  • 2013
    Living and Sustaining a Creative Life, Essays by 40 Working Artists, edited by Sharon Louden, published by Intellect and the University of Chicago Press.

    TABOO!: The Art of Stephen Tashjian, Bomb Magazine, Number 124/Summer 2013. Page 16.


  • 2001-2010
  • School of Visual Arts, New York


  • Boston Museum School, Boston, MA
  • Boston University, Boston, MA
  • Columbia School of Art, New York, NY
  • New York University, New York, NY
  • Parsons School of Design, New York, NY
  • Pratt Institute, Brooklyn, NY
  • Princeton University, Princeton, NJ
  • Rhode Island School of Design, Providence, RI
  • School of Visual Arts, New York, NY
  • University of Massachusetts at Amherst, MA
  • University of New Mexico, Albuquerque, NM
  • University of South Florida, Miami, FL


  • 2013
  • Portfolio by Sean Mellyn, Bomb Magazine.
  • 2010
  • Robinson,Walter. "Sean Mellyn at APF Lab",, Front page, September 6
    Simmons, Laurie. "Sean Mellyn:Paper Monet",, July 29
    Britt, Douglas. "Check two exhibits before they're gone", Houstan Chronicle, Arts section, p. 1, June 24
    Cheney, Alexandra. "Paper Monet features Impressionist works painted on plates, coffee cups" Wall Street Journal, Speakeasy, front page, June 24
    Nalley, Jon. "Swept Behind the Curtain: Doug McClemont's Magical Ensemble",, March 20
  • Stern, Melissa. "Blessed is the Child: Sean Mellyn at Anna Kustera Gallery", New York Press, Nov. 21
    Bors, Chris. "Sean Mellyn in New York",, November 9
  • Genocchio, Benjamin. "Things That Make You Scratch Your Head and Wonder", New York Times, March 5
  • Kunitz, Daniel. "Publisher‟s Catalogue", Art Review, November (color reproduction)
    Harris, Jane. Voice Choices:Pick, The Village Voice, April 27 - May 3
  • 2003
  • Lehmann, Henry. "A Threat To Innoncence", The Gazette, Montreal, Canada, February 15,
    Lamarche, Bernard. "L image de la television", Le Devoir Les Samedi, Montreal, February 23.
  • 2002
  • Sims, Carol. "The Aldrich Takes On "Family‟," Antiques and The Arts Weekly, June 14, p. 28-9 "i padri," Carnet, September, p. 21-22
    Melandri,Lea. "La Mostra", ArtNet Italy, September, p.21-22
    Rothbaum, Rebecca. "‟FAMILY‟ EXHIBIT: Small museum, big impact," Poughkeepsie Journal, August 22, p. 1D-2D
    Henry, Clare. "The truth about mums and dads," Financial Times, June 8-9
    Predicatori, Mara. "Super Natural Playground," Flash Art (Italy), April-May, p. 122
    Corradini, Mauro. "L‟universo della Grande Mela," Bresciaoggi, March 21, p. 33
    Pola, Francesca. "Super Natural Playground," Segno, March-April, p. 44
    Farronato, Milovan. "Super Natural Playground," Tema Celeste, March, p. 107
    Pacifici, Tullio. "Super Natural Playground," ExibArt, March 21,
    di Rossella, Moratto. "Figurazione newyorkese," Art & Job Magazine, March 6
    Savini, Mario. "Super Natural Playground," Extrart, January, p. 2
  • S.D. "Family: Aldrich Museum of Contemporary Art," The Art Newspaper,"What‟s On," May, p.7
    Brundage, Brita. "Disrobing the Family," Fairfield County Weekly, May 23-29
    Zimmer, Kristan. "Aldrich "Family‟ exhibit offers fresh look at old-age institution," The Ridgefield Press, May 16,
    Henry, Clare. "Exhibition: The Truth about Mums and Dads," FT. Com, June 7
    Tuohy, Laurel. "Family," The News-Times (Weekend), June 7, p. C6
  • 2001
  • Mahoney, Robert. "Snakes, Snails & Puppy-Dog Tails," review, Time Out NY, November 1-8, p.58
    Kino, Carol. "Sean Mellyn at Jack Tilton/Anna Kustera," Art in America, June, p.128 (color reproduction)
    Giovannotti, Micaela. "Sean Mellyn," Tema Celeste, January/ February, p.83 (color reproduction)
  • 2000
  • Levin, Kim. "Voice Choices," The Village Voice, November 8-14 The New Yorker, Goings on About Town, November 13, pp.34, 36 (color reproduction)
    Robinson, Walter. "Weekend Update," Magazine, October 23, color repros.
    Lewis, Zachary. "In The Eye of the Beholder," The Patriot-News, Harrisburg, PA, April 13, cover page, reproduction
    O'Sullivan, Michael. "A Visual Blast at the Corcoran," The Washington Post, Jan.14, pp.54,56, (color
  • 1999
  • Moreno, Gean. "Free and Open to the Public," review, New Art Examiner, September
  • 1999
  • Stein, Jerry. "New Exhibit is Turned Inside Out," The Cincinnati Post, September 17, p.4c
    Turner, Elisa. "Artist Fellowship Program Seeks to Refine its Approach," The Miami Herald, April 11 "Saluting Two Generations of Artists," San Francisco Examiner, February 19
    Brenneman, Christine. "In Your Face," Art Pick, San Francisco Metropolitan, February 15, reproduction
  • 1998
  • Patterson, Tom. "Surprisingly Fresh," Weatherspoon Journal, December 27
    Turner, Elisa. "An Artsy Link Between Brooklyn, Miami Beach," The Miami Herald, September 18
  • 1998
  • Levin, Kim. "Choices," The Village Voice, April 28, May 5
    Johnson, Ken. Art Guide, The New York Times, April 10
    Blackburn, Meg. "A Delicate Condition", review, NY Arts Magazine, April
    Steinberg, Michael. "A New York Mosiac," Modern Painters, London, England, Spring
    Pedersen, Victoria. "Gallery Go 'Round," Paper Magazine, April, p.141, color reproduction"Top of the Pops," Out Magazine, February, pp.44-48 (color reproduction)
  • 1997
  • Express, Over There: A Critical Guide to San Francisco Events, review of Tweakville at Catharine Clark Gallery, December 26, p.39
    Arning, Bill. "Brooklyn in the House," The Village Voice, August 26, p.87 (b/w reproduction)
    Gragg, Randy. "Body and Droll," The Oregonian, July 25, (b/w reproduction)
    Rubinstein, Raphael. "On Broadway: Studios Without Walls," Art in America, June, p.27 (color reproduction)
    Torri, Vic. "Reviews/ La Tradicion: Performing Painting," NY Arts Magazine, May, p.18
  • 1997
  • Levin, Kim. "Choices," The Village Voice, April 29
    Levin, Kim. "Work in Progress:Art and Exhibitionism in Soho,"The Village Voice, April 22,pp.50-51
  • 1996
  • Arning, Bill. "Sean Mellyn," Time Out New York, Issue 57, October 24-31, p.36 (color reproduction) Art Listing, Time Out New York, October 24-31, p.39
  • Levin, Kim. "Choices," The Village Voice, October 22; October 29 Art Listing, Cue Guide, New York Magazine, October 21, p.95
  • 1995
  • Lingemann, Susanne. "FourWalls," Art Das Kunstmagazin, December, pp.93,94 Galleries, The NY Press, September 13-19, p.59
    Levin, Kim. "Choices," The Village Voice, May 3
  • 1995
  • Bielefeld, J. Welt Am Sonntag, April 17
    Wasserman, Doris. Schaukelpferde, Westfalen-Blatt, April 16, 17, p.3 "Goings On About Town," The New Yorker, March 27 & March 14 Kreiszeitung, February 19, 20, p.4
    Levin, Kim. "Choices", The Village Voice, February 7 Knyphausen, Alexandra. Wochenend Journal, Journal Leute, January 29
  • 1994
  • Levin, Kim. "Choices," The Village Voice, December 20
    Art, Post Weekend Plus, New York Post, December 16
    Ensor, Barbara. "Angelic Looks," New York Magazine, December 12
  • 1992
  • Soldal, Asmund. Hordaland Folkeblad, November 29
    Bjorkum,Olav. Hordaland Folkeblad, November 10
  • 1991
  • Iverem, Esther. Spotlight, New York Newsday, February 5, p.5
    Wallach, Amei. Artists Horse Around for a Good Cause, New York Newsday, January 30, p.80


  • 2014
  • The Insider Guide to the Lord Baltimore Hotel and Baltimore Too, Published by Pointed Leaf Press. Color
    reproduction pg. 10
  • 2010
  • Picture Perfect, Designing the New American Home, By Scott Sanders, Published by Pointed Leaf Press.
    Color reproductions pgs. 35, 38, 44, 130-131.
  • Paper Monet, By Sean Mellyn, Published by Sean Mellyn and Eejit, Inc. 43 page color catalog.
  • 2007
  • The Art of Buying Art: An Insider's Guide to Collecting Contemporary Art, by Paige West, published by Harper Collins
  • ArtWorks: The Progressive Corporation, The Progressive Corporation Collection Book
  • Steinberg, Michael. Up and Coming: An Inside Guide to the Emerging Art Scene in New York.
    Vilo International, New York
  • The New Yorker, Color Reproduction, Fiction Section, June 21&28, p.85, New York, NY
  • The Progressive Corporation Annual Report 1997, Mayfield Village, OH
    Simon Says, Front Cover color reproduction, April, Vol.2, Issue 8, New York, NY
  • 1997
  • First Look, brochure, Downtown Arts Festival, NYC, front cover color reproduction
    New Observations, NY, "Popular Metaphysics," #115, Summer, front cover reproduction, p.23 (b/w reproduction)
    Museums New York, Going Once..., The New Museum Benefit, Spring, p.22 (color reproduction)
  • 1996
  • The New York Times Magazine, "The Neo-Dealers," September 1, Front cover color reproduction


  • Brooklyn Museum of Art, Brooklyn, NY
  • Denver Art Museum, Colorado, Fractional and promised gift from the Collection of Vicki and Kent Logan
    Mead Art Museum, Amherst College, MA
  • Museum of Fine Arts, Houston, TX
  • Museum of Modern Art, New York, NY
  • New School for Social Research, New York, NY
  • New York Public Library, New York, NY
  • Weatherspoon Art Gallery, North Carolina
  • The Progressive Corporation, Mayfield Village, Ohio
  • Rutgers University, New Jersey
  • San Francisco Museum of Modern Art, Fractional and promised gift from the Collection of Vicki and Kent Logan
  • SEI Investments, Valley Forge, Pennsylvania
    United Yarn Products Co., Wayne, NJ
    University of New Mexico, Albuquerque, NM
    Weil, Gotshalt & Manges, New York, NY
    Whitney Museum of American Art, New York, NY